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globe airplane world earth The Mummy (1932): I love the old Universal logo.

The Mummy (1932): I love the old Universal logo.

Egypt sphinx pyramids sands desert The Mummy (1932): Boris Karloff's credit in the opening sequence of The Mummy.

The Mummy (1932): Boris Karloff's credit in the opening sequence of The Mummy.

The Mummy (1932): Miniature pyramid in The Mummy's opening credits.

The Mummy (1932): Miniature pyramid in The Mummy's opening credits.

Anubis Egyptian hieroglyphs The Mummy (1932): The source of all the trouble: The Scroll of Thoth, containing the incantation which raises the dead.

The Mummy (1932): The source of all the trouble: The Scroll of Thoth, containing the incantation which raises the dead.

dead monster Im-ho-tep The Mummy (1932): Boris Karloff as the mummy. Notice how how dessicated and ancient he looks and yet how little bandaging was in evidence.

The Mummy (1932): Boris Karloff as the mummy. Notice how how dessicated and ancient he looks and yet how little bandaging was in evidence.

men chest hieroglyphs The Mummy (1932): British archaeologists Sir Joseph Whemple (Arthur Byron) and 
Ralph Norton (Bramwell Fletcher) read the curse that awaits any who disturb the grave of Im-ho-tep.

The Mummy (1932): British archaeologists Sir Joseph Whemple (Arthur Byron) and Ralph Norton (Bramwell Fletcher) read the curse that awaits any who disturb the grave of Im-ho-tep.

dead monster Im-ho-tep The Mummy (1932): Archaeologist Ralph Norton unwisely begins to translate the Scroll of Thoth. Behind him, we see the glimmer of eye-shine in Im-ho-tep.

The Mummy (1932): Archaeologist Ralph Norton unwisely begins to translate the Scroll of Thoth. Behind him, we see the glimmer of eye-shine in Im-ho-tep.

Im-ho-tep hand ring Thoth The Mummy (1932): The reanimated Im-ho-tep reaches for the scroll as Norton laughs hysterically in the background.

The Mummy (1932): The reanimated Im-ho-tep reaches for the scroll as Norton laughs hysterically in the background.

dead monster fez cane Im-ho-tep Ardath Bey doorway entrance The Mummy (1932): Twelve years later, Im-ho-tep (Boris Karloff) posing as a modern, living Egyptian, Ardath Bey.

The Mummy (1932): Twelve years later, Im-ho-tep (Boris Karloff) posing as a modern, living Egyptian, Ardath Bey.

dead monster fez Im-ho-tep Ardath Bey The Mummy (1932): Ardath Bey offers to lead Sir Joseph's son Frank, also an archaeologist, to a remarkable find.

The Mummy (1932): Ardath Bey offers to lead Sir Joseph's son Frank, also an archaeologist, to a remarkable find.

coffin mummy woman face The Mummy (1932): The sarcophagus of Anck-es-en-Amon, daughter of a pharaoh and Im-ho-tep's great love, whom he means to resurrect.

The Mummy (1932): The sarcophagus of Anck-es-en-Amon, daughter of a pharaoh and Im-ho-tep's great love, whom he means to resurrect.

woman face Zita Johann The Mummy (1932): Zita Johann as Helen Grosvenor, the modern reincarnate of Princess Anck-es-en-Amon.

The Mummy (1932): Zita Johann as Helen Grosvenor, the modern reincarnate of Princess Anck-es-en-Amon.

man woman love suit tie couch Grosvenor Zita Johann David Manners Frank Whemple The Mummy (1932): Sir Joseph's son, Frank (David Manners), falling in love with Helen (Zita Johann), whom he and his father have rescued after he collapse and blackout outside the Cairo museum.

The Mummy (1932): Sir Joseph's son, Frank (David Manners), falling in love with Helen (Zita Johann), whom he and his father have rescued after he collapse and blackout outside the Cairo museum.

woman sleep couch Zita Johann The Mummy (1932): Zita Johann as the beautiful and vulnerable Helen Grosvenor. (I admit that she strikes this modern, middle-class woman as something of a layabout, however!)

The Mummy (1932): Zita Johann as the beautiful and vulnerable Helen Grosvenor. (I admit that she strikes this modern, middle-class woman as something of a layabout, however!)

dead monster fez Im-ho-tep Ardath Bey woman love Grosvenor Zita Johann The Mummy (1932): Helen confronts the eerie, yet strangely compelling, Ardath Bey.

The Mummy (1932): Helen confronts the eerie, yet strangely compelling, Ardath Bey.

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